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Between and Mortarboard

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This print has two series of thick black parallel lines that form a zig-zag pattern and connect out to a series of spheres, resembling a wall-mounted coat rack. There are two lines of spheres; the three on the top are light purple and the three on the bottom are dark purple. The background and the structure created by the parallel lines is in a dark purple. The print is signed and editioned in pencil (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
Oh! if one of Them, some fine evening, would try
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.10
This print is almost entirely solid black. At the top center, there are two planes of color, shades of blue, separated by a thick black line. This creates an image resembling an opened curtain, looking out a window from a dark room. The print is signed and editioned in pencil (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
And, with my eyes bolting toward the unconscious
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.12
The majority of this print is solid black but on the right, there is a sliver of bright pink in the shape of a triangle. The print is signed and editioned in pencil (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
Curtains drawn back from balconies of shores
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.21
This print consists of a series of horizontal bands that are made up of a variety of patterns, from grids to dots. The colors used are black, dark and light orange, yellow, pink, tan, white, blue, and red. At the base of the print, there is text in tan that reads: "The theory of relativity, may certainly be a true description of the facts concerned, even though the theory a theory which took such liberties fully, with the help of what is nothing but a host of metaphors taken from the languages of physics, of biology, and of social life, works out / their categorical structure, and only recasts what has formed concentric circles, surrounded by smaller orbs of the same space; then again a vertical band filled with horizontal strokes; and lastly, two vertical bands of concentric circles". The print is signed and numbered (l.r.) "Eduardo Paolozzi A.P 7".
Sir Eduardo Paolozzi (British (modern))
Theory of Relativity
1967
Gift of Professor Diane M. Kirkpatrick
2000/2.11.9
This colorful print has an all-over design of grids, checkers and boxes. The many colors in this print include: red, black, yellow, green, magenta, tan, blue, purple, and orange.
Sir Eduardo Paolozzi (British (modern))
Similar remarks apply to Uranium 235
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.18
The color photolithograph has a large bust of a male figure with long brown hair and a beard. The man is wearing a orange shirt with a blue shall. There is a halo in cream, red and green around the figure's head. The print is signed and dated in pencil (l.r.) "Eduardo Paolozzi A/P 1965/70".
Sir Eduardo Paolozzi (British (modern))
Jesus colour by numbers
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.28
This vertically oriented print shows a two color print in which the colors are out of register. There are three columns, the two outer columns are text and the inner column is images. 
Sir Eduardo Paolozzi (British (modern))
A single series, consisting of twenty choices
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.45

Sir Eduardo Paolozzi (British (modern))
Studies in human salvage
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.49
This color lithograph shows an abstract image in black and red. There is a red background with a large grouping of abstracted circular forms in black, comprising the lower portion of the image. Long thin lines stretch from the group of figures towards the top of the image. The print is editioned (l.l.) "artist's proof" and signed (l.r.) "R.A. Florsheim" in pencil.
Richard A. Florsheim (American (North American))
Combat
1969
Gift of The Richard Florsheim Art Fund
2004/1.98
At the center of the image, this print shows a yellow clock with white face on a yellow wall. The clock is outlined in thick black likes and the face has black-colored hands and dashes. The print is signed in pencil (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
Crying to the walls: My God! My God! will she relent?
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.7
This print depicts a wall-mounted coat rack, depicted with black-outlined grey zig-zag bars that connect to three yellow spheres above, and two red spheres below. There is a light grey shape hanging over the center sphere. The background is uniformly colored a peachy-beige. The print is signed and editioned in pencile (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
Thus, she would come, escaped, half-dead to my door
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.11
This print depicts the lower right portion of a four-paned window and its sill. The sill and window framing is outlined in thick black lines and colored in a dark grey. The window panes are colored in a muted yellow. The print is signed and editioned in pencil (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
Along a twilighted sky
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.14
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